For the first decade of streaming, success was largely about access. The industry focused on getting music onto digital service providers as quickly and widely as possible, and solving distribution ...

In an age of ubiquity where everybody can have everything, people want the things that other people can’t have. They want the ...

A report published this week by Green Music Australia, Reverb and The CSO Shop aims to help artists and their teams.

Dhurandhar The Revenge, the sequel to the 2025 Hindi blockbuster, was one of the most anticipated releases of this year. Its ...

UK-based south Asian cultural organisation Dialled In—which operates in such areas as festival production and live ...

Havells mYOUsic is an Indian talent hunt that distinguishes itself from similar initiatives in multiple ways. Firstly, it isn ...

Ticketing and live firm CTS Eventim has published its latest financial results, including figures for 2025 as a whole.

This week’s Sandbox dives into the album as a format, which is undergoing something of a cultural resurgence led by album-focused artists like Charli xcx, Lily Allen, Geese, Bad Bunny […] ...

What was that about OpenAI raising a $110bn funding round valuing the company at $730bn? The AI giant has now updated those ...

Strong growth despite difficult trading conditions,” is the summary of German collecting society GEMA’s 2025 in its annual ...

Remember the heyday of web3 metaverses? When Snoop Dogg was building a mansion in virtual world The Sandbox, followed by ...

Indonesia recently became the second country to implement a social media ban policy for children under 16. New data from Australia’s eSafety Commissioner – the first country to initiate a […] ...