Over the past month, Kenya’s finance cocktail circuit and the public alike have been set alight by the Kenya Pipeline Corporation (KPC) Initial Public Offer (IPO) – and for good reason. To begin with, ...

Many in Kenya are approaching the “fuliza limit” and they are mourning the possibility of what could have been. They question ...

The average Kenyan does not speak in policy. Most policies that are tabled, often, if not always, go over people’s heads, not because people can’t read, but because there is simply too much going on ...

Natasha W. Muhanji is a Kenyan writer and editor. Her writing has previously appeared or is forthcoming on Brittle Paper, The Kalahari Review.

On January 14, the UK-based Bureau of Investigative Journalism (TBIJ) exposed a wide-ranging black-hat image-laundering scheme that implicated government and philanthropic leaders. Among the culprits, ...

Out of a population of more than 36 million, only 22 million Kenyans were registered to vote, and just 14 million actually cast their ballots. Political apathy in Kenya is not a new phenomenon. As ...

On the afternoon of Tuesday, 6 September 2022, at exactly 1:40 p.m., a crowd gathered outside Terminal 1A at the Jomo Kenyatta International Airport (JKIA). Under ordinary circumstances, one would ...

Not known for adhering to any particular lasting strategy, Trump sees each day in the White House as an episode in a reality show in which he seeks an advantage over his rivals, if not to vanquish ...

Now, more than a decade after leaving high school, we have made it a routine to frequently meet in a movie store, almost every evening. We are weary and jarred by the despair of our current situations ...

Sometime last year, just after the June protests, when the city still carried the aftertaste of the deaths that occurred, I ran into a friend in a dim-lit joint in Westlands that I tend to drift into ...

Ouma Elvine Tina is a feminist journalist and storyteller who believes deeply that stories influence how we understand ourselves as a nation and as people.

In 2014, Belgian documentary artist Max Pinckers was invited to the Archive of Modern Conflict in London, where he came across a collection of British propaganda material relating to the 1950s “Mau ...