Lygia Clark at Neue Nationalgalerie by Fionn Adamian // June 27, 2025. Art history likes clairvoyants. Divine as a tea leaf, ...

Adela Lovric reviews the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ at MGGU, ...

This article is part of our feature topic Legality.

Aoife Donnellan reviews the group exhibition ‘This, too, is a way of keeping each other close’ at Bärenzwinger Berlin ...

Johanna Siegler reviews the group exhibition ‘For Real For Real’ curated by Claudia Rankine and The Racial Imaginary Institute at daadgalerie in Kreuzberg ...

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JR: I hear some birds in the background, too. I would love to discuss the sonic components of your work. AJH: I grew up in the Black church in the South, a pretty quintessential southern, Black ...

Asad Raza’s expansive cross-disciplinary practice defies categorization. Situated somewhere between performance, installation and curation, its elusiveness can be attributed to many factors. Primary ...

The Mine as Metaphor: An Inter­view with Simon Denny by Lucia Longhi // Mar. 1, 2021. Throughout the years, New Zealand artist Simon Denny has built an atlas of the cultural and economic behaviours ...

An Unfurling of Sorts: ‘Sea of Forests’ at ChertLüdde by Eva Szwarc // Aug. 11, 2023. This article is part of our feature topic Wilderness.. To picture a place that is wild is to imagine unchecked ...

The Disempowered: Leo Naomi Baur at Tanztage Berlin by Mia Butter // Jan. 14, 2025 “A white, short person with brown short hair” is how Leo Naomi Baur—who is standing on a chair, addressing their ...

Fannie Sosa is an afro-sudaka activist, artist and scholar whose work focusses on pleasure and its transmission as a radical act of resistance. In 2016, they launched ‘A White Institution’s Guide for ...