With accessibility of ever-cheaper gimbals easier than ever, is the venerable Steadicam still relevant for camera movement? Anybody who has tried to use a Steadicam will know how difficult they are to ...

Replay: 3-axis gimbals revolutionised the idea of getting stable shots without any lengthy Steadicam training, but there's a couple of rather sizeable elephants in the room, the need for five axes and ...

Steadicam changed the film industry with unrestricted tracking shots in films like Rocky and The Shining, and now, it's going after smartphone users. Parent company Tiffen has unveiled the Steadicam ...

The camera stabilizer that made it possible to follow Sylvester Stallone up the steps in Rocky has been reimagined several times over the years — but now, the stabilization system is heading to ...

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HAUPPAUGE, N.Y.—Tiffen this week announced its third-generation Steadimate-RS camera solution that’s designed to improve the functionality and user experience of using the Ronin RS2, RS3 and RS3 Pro ...

One of the most defining facets of any filmmaker’s style is how they position and move the camera. Though the time honored “tripod or dolly?” choice expanded with the advent of the Steadicam ...

It's humbling, and in fact almost a little scary, when you realize just how far the video quality of mobile phones and pocket camcorders has progressed over the past few years. While features such as ...

Forbes contributors publish independent expert analyses and insights. Technology journalist specializing in audio, computing and Apple Macs. Do you remember when movies only used to be shot on a ...

If you have any doubts as to the amazing effect a Steadicam can have on your home-movies, stop reading now and take a look at the video above. Without a Steadicam, this would be a rather dull ...

Back in early 2005, at the height of my HDV camcorder infatuation, I came across an article titled “$14 Video Camera Stabilizer” in Volume 1 of Make: Magazine (I’ve been a faithful subscriber for a ...

Starting off as a spotty youth who worked in Currys, he moved to the BBC (after getting a degree) where he was an editorial wrangler. A stint writing for Top Gear and co-presenting Sky One's Gadget ...