“Memoria” begins with a bump in the night, or very early in the morning. We are in a darkened room, with just enough light peeking in to reveal the figure of a woman as she’s jolted awake by a loud ...
Apichatpong Weerasethakul, whose film oeuvre is gentle, perplexing and slightly trippy, immersed himself in things foreign for “Memoria,” only to find that many elements were decidedly familiar. The ...
One of several especially hypnotising scenes from Apichatpong Weerasethakul's Cannes Jury Prize-winning latest film – his first to feature international star power, in the shape of Tilda Swinton – ...
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