With brooding landscapes of Caspar David Friedrich and hellish paintings of Hieronymus Bosch as backdrops, the University of Houston's Moores Opera Center dived into the fantasy world of 19th-century ...
It used to be thought that “Der Freischutz” simply didn’t travel well, that Carl Maria von Weber’s opera of the occult was too steeped in Black Forest folklore to appeal to foreign audiences. But ...
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